The Musical Heritage of Rohri Before the British Era
 |
| Traditional Musicians of Rohri in Vibrant Performance |
A Glimpse into Rohris Musical Past
Before the British colonial period, the city of Rohri in Sindh, Pakistan, was a vibrant hub of musical tradition. The city was home to a unique community of musicians and singers, whose artistry enriched cultural and social gatherings. This article delves into the lives of these performers, their origins, and their contributions to Rohri’s cultural landscape, drawing from historical accounts and local narratives.
The Eight Musical Houses of Rohri
 |
| Traditional Rohri Musicians Performance |
Rohri was home to eight prominent families of musicians, originally hailing from Sehwan, a historic city in Sindh known for its Sufi heritage. These families migrated to Rohri and settled primarily in the Dhoro Meman locality, a neighborhood that became synonymous with musical talent. Their music was deeply rooted in Sindhi folk traditions, and their performances were integral to the city’s social fabric.
The male musicians of these families performed at weddings, entertaining the men’s gatherings with soulful songs accompanied by the dholak (a double-headed drum) and dhol (a larger drum). Meanwhile, the women performed exclusively for female audiences at the bride’s home, singing and playing the dholak to celebrate the occasion. These performances were not only artistic but also communal, fostering a sense of unity and joy. Guests at these events would offer small coins, often one paisa, as a token of appreciation, placing them in a ghoar (a traditional container).
Professional Singers and Cultural Performances
In addition to these hereditary musicians, Rohri boasted a group of professional singers, both male and female, who elevated the city’s musical reputation. These artists performed at a variety of events, including weddings, engagement ceremonies (muradin), fairs, festivals, and private gatherings. Their repertoire included Sindhi folk songs, Sufi poetry, and other traditional genres that resonated with the local audience.
 |
| Siyain Chaudhry on PTV (1960-1970) |
Many of these singers were based in the Masaan area and its surroundings, a region known for its cultural vibrancy. Among the notable figures was Sian Chaudhry, a celebrated television artist who performed on PTV from 1960 to 1970. He spent much of his time at the residence of Gul Hasan Shah in Masaan and lived in a two-story building that once served as a hotel, located across the road from the current Girls High School in the south. His mother resided with him during this period. These artists were celebrated for their ability to connect with audiences, making every event memorable.
The Legacy of Rohri’s Musicians
The musicians of pre-British Rohri were more than entertainers; they were custodians of Sindhi culture. Their songs carried stories of love, devotion, and community, preserving the oral traditions of the region. The migration of Sehwan’s musical families to Rohri highlights the interconnectedness of Sindh’s cultural centers, with music serving as a bridge between communities.
Today, the legacy of these musicians lives on in the memories of Rohri’s residents and the continued popularity of Sindhi folk music. While modern influences have transformed the musical landscape, the spirit of those early performers remains a source of inspiration.
Conclusion
Rohri’s musical heritage before the British era is a testament to the city’s rich cultural history. The eight musical houses from Sehwan, the professional singers of Masaan, and the vibrant performances at weddings and festivals created a legacy that continues to resonate. By celebrating these artists, we honor the traditions that shaped Rohri’s identity as a cradle of Sindhi music.
