Sacred Shores: The Dual Pilgrimage of Rohri’s Isle

In the shadow of Rohri lies a diminutive isle, a mere half-acre in size, that resists the flood's peak, remaining unsubmerged. Encircled by a protective barrier, this island is home to a sacred shrine, a place of convergence for thousands of devotees both Muslims and Hindus from every corner of Sindh during the spring months of March and April. For Muslims, it's a pilgrimage to pay homage to Khwaja Khizr, while Hindus revere Jind Pir (a derivative of 'Zinda', meaning 'Living', thus 'Living Saint').

Over time, the shrine's ownership sparked a dispute between the two faiths. Resolution came when Hindus relinquished their claim, establishing a separate shrine for Jind Pir along the riverbank in Sukkur. In a historic decree, the Public Works Department, via resolution No. 55-W-1 650 dated 10 April 1894, allocated approximately 16.50 ghuntas of land to the Sukkur Council for the Jind Pir Fakirs' trust, post a trust deed in favor of the then-leader, Bhai Balo. The trust ensured that he and his successors were entrusted with Rs 15000 to fulfill specific responsibilities linked to the shrine and its monuments.

An image from 1883 showcases the revered shrine of Khwaja Khizr, also known as Jind Pir among Hindus, situated on a small island in Sindh. The shrine, a pilgrimage site for thousands, symbolizes the unity of Muslim and Hindu faiths. It stands as a historical testament to the region’s rich spiritual traditions and the enduring legacy of the saints who have been the embodiment of the Indus River’s spirit.

A Muslim narrative recounts the tale of Shah Hussain (Saiful Muluk), a merchant from Delhi, who, along with his daughter, Badu-i-Jamal, journeyed down the Indus towards Mecca. Upon reaching Alore, they encountered Daluraj, the Hindu King, who, smitten by the daughter's beauty, sought her hand in marriage. His proposal was declined on the grounds of religious incompatibility. Undeterred, the king attempted to abduct her. However, during her prayers to Khwaja Khizr, her father was divinely instructed to release their boat. Miraculously, the river's course altered, flowing towards Rohri and ensuring their escape. In gratitude, Shah Hussain vowed to erect a shrine in honor of the saint who had safeguarded them. Guided by divine intervention, he chose a small island north of Bukkur for a mosque and mausoleum dedicated to Khwaja Khizr. Over time, devotees enriched the site, with some adorning the original tomb's door in silver. Regrettably, no remnants of these structures survive today.

An ancient painting from the year 952 A.D., corresponding to 341 Hijri, depicting the revered figure Khawaja Khizr. The artwork captures the historical and spiritual essence of the saint, known for his guidance and wisdom, in a traditional style reflective of the era.

Hindus associate Khawaja with Jind Pir, seen as the living embodiment of the Indus River, also known as Uderolal or Darya Shah. They honor him with the ritual lighting of lamps. The central edifice, whether tomb, temple, or cenotaph, features a niche representing the saint's seat, crowned by a stone slab with a Persian inscription, eloquently stating:

Contemporary representation of Khwaja Khizr, depicted as a wise figure with a spiritual aura, often portrayed in Islamic green attire, symbolizing his enduring presence and guidance through the ages.

"When this court was raised, the waters of Khizr embraced it; penned by Khizr himself in delightful verse." 

The inscription's date, deciphered from 'Dargah-i-Ali', points to the year AD 952. Nearby, a dilapidated brick mosque bears another inscription dating back to AH 1011 (AD 1602). Before British rule, the guardians of Satyan-jo-Asthan and Khwaja Khizr's shrine held lands as charitable grants, performing sacred duties around the monuments. This tradition was upheld by Sir Charles Napier. 

Confluence of Faiths: The Tale of Khwaja Khizr and Jind Pir

Protecting the Indus River Dolphins: A Call for Action

The Indus River and Rohri: A Historical and Cultural Connection

Echoes of Devotion: Unveiling the Mystical Heritage of Sindh’s Riverbank

Bridging Histories: The Indus River’s Role in Rohri and Sukkur’s Past

Rising Waters: A Chronicle of Pakistan’s Flood History

Journey Through Pakistan's Railway: Rohri Train Station

 

Embark on a captivating journey through Pakistan's railway as we explore the historic Rohri Train Station and its significance in the country's transportation system.

A Brief History of Rohri Train Station

Rohri Train Station, located in Rohri, Pakistan, has a rich history that dates back to its establishment in the late 19th century. It was built during the British Raj and served as an important stop on the Indus Valley Railway, connecting Karachi with the northern regions of British India.

The station played a vital role in facilitating trade and transportation between different parts of the country. Over the years, it has witnessed the transformation of Pakistan's railway system and has become an integral part of the country's transportation infrastructure.

Unique Architectural Wonders at Rohri Train Station

Rohri Train Station is known for its unique architectural wonders that reflect a blend of British colonial and local architectural styles. The station building features intricate designs, grand arches, and large windows that allow natural light to illuminate the interior.

One of the notable architectural elements is the clock tower, which stands tall and serves as a symbol of the station's historical importance. The station's platform is spacious and well-maintained, providing a comfortable waiting area for passengers.

Connecting Pakistan: Routes from Rohri Train Station

Rohri Train Station serves as a major hub, connecting various cities and regions across Pakistan through its extensive railway network. It is a crucial link between Karachi, the country's largest city and economic hub, and other important cities such as Lahore, Islamabad, and Peshawar.

The station offers multiple train routes that cater to both passenger and freight transportation needs. These routes provide convenient access to different parts of the country, allowing people to travel and transport goods efficiently.

Cultural Significance of Rohri Train Station

Rohri Train Station holds great cultural significance for the people of Pakistan. It has witnessed the passage of time and the changing dynamics of the country. Many people have fond memories associated with the station, as it has been a witness to countless journeys, reunions, and farewells.

The station also serves as a meeting point for people from diverse backgrounds, reflecting the cultural diversity of Pakistan. It is a place where people from different regions come together, fostering social interactions and cultural exchange.

Future Development Plans for Rohri Train Station

In order to meet the growing demands of the modern era, there are plans for future development and improvement of Rohri Train Station. These plans include the expansion of the station's facilities to accommodate increasing passenger and freight traffic.

Additionally, efforts are being made to enhance the overall infrastructure and services at the station, ensuring a seamless travel experience for passengers. The aim is to make Rohri Train Station a modern transportation hub that meets international standards and contributes to the development of the region.

• Rohri Train Station: A Historic and Cultural Landmark of Pakistan
• Exploring the Wonders of Rohri Train Station: Pakistan’s Railway Heritage
• How Rohri Train Station Connects Pakistan’s Past, Present, and Future
• The Story of Rohri Train Station: A Journey Through Pakistan’s Railway History
• Rohri Train Station: A Symbol of Pakistan’s Transportation Development

Pakistan Railways Website: 

https://pakrail.gov.pk/

Mohenjo Daro: The Mound of the Dead Men

Mohenjo Daro: A Glimpse into the Past of Pakistan.

Mohenjo-daro Sindhi: موهن جو دڙو‎ Urdu: موئن جو دڑو Mound of the Dead Men Mohenjo Daro is an ancient city located in present-day Pakistan. It was built around 2500 B.C. on the flood plains of the Indus in what is now Pakistan. The city’s well-planned street grid and elaborate drainage system hint that its inhabitants were skilled urban planners with a reverence for the control of water.

      The city’s wealth and stature is evident in artefacts such as ivory, lapis, carnelian, and gold beads, as well as the baked-brick city structures themselves.  The city’s occupants were apparently modest, orderly, and clean, and preferred standardisation in pottery and tools of copper and stone. Seals and weights suggest a system of tightly controlled trade. The city lacked ostentatious palaces, temples, or monuments, and there was no obvious central seat of government or evidence of a king or queen. 

 A stone statue of a man with a beard and a circular headpiece, wearing a cloak with a distinctive design Ajrak, identified as the Priest-King from the ruined city of Mohenjo-daro in the Indus Valley Civilization

    The city’s decline remains a puzzle, but some experts believe that climate change and environmental degradation may have played a role.

     It is worth noting that Mohenjo Daro is a UNESCO World Heritage Site and is considered among the best preserved urban settlements in South Asia.

      Mohenjo Daro, an ancient city located in present-day Pakistan, was built around 2500 B.C. on the flood plains of the Indus River. It was the largest city of the Indus Civilisation and is believed to have thrived for a thousand years, profiting from trade and engineering feats like the Great Bath.

 The city’s well-planned street grid and elaborate drainage system hint that its inhabitants were skilled urban planners with a reverence for the control of water. The city’s wealth and stature is evident in artefacts such as ivory, lapis, carnelian, and gold beads, as well as the baked-brick city structures themselves. 

     The city’s occupants were apparently modest, orderly, and clean, and preferred standardisation in pottery and tools of copper and stone. Seals and weights suggest a system of tightly controlled trade.

     The city lacked ostentatious palaces, temples, or monuments, and there was no obvious central seat of government or evidence of a king or queen The city’s decline remains a puzzle, but some experts believe that climate change and environmental degradation may have played a role

• Mohenjo Daro: The Ancient City of the Indus Civilisation
• Mohenjo Daro: A Glimpse into the Past of Pakistan
• Mohenjo Daro: The Mound of the Dead Men
• Mohenjo Daro: A Testament to the Ingenuity of the Indus Valley Civilisation

How to get and do in Mohenjo Daro

 Is approximately 30 kilometre’s away from the nearest major city, Larkana.  The easiest way to get to Mohenjo Daro is by taking a direct flight from Sukkur Airport to Mohenjo Daro Airport.

Alternatively, you can drive along the Indus Highway between Karachi and Peshawar. Rohri / Sukkur Toll Plaza M5 Sukkur Hyderabad Motoways , The distance between Rohri and Mohenjo Daro is approximately 85.06 kilometres or 52.85 miles.Once you arrive at Mohenjo Daro. 

Sukkur Airport

 Sukkur Airport (IATA: SKZ, ICAO: OPSK), also known as Begum Nusrat Bhutto International Airport Sukkur, is a domestic airport located in Sukkur, Sindh, Pakistan. It is a medium-sized airport located about 8 km (5.0 mi) from the center of Sukkur and serves Sukkur and its surrounding areas; Khairpur, Jacobabad, Sibi, and Shikarpur. Officially Site is. https://www.piac.com.pk/

I hope this helps! Let me know if you have any other questions.

Ajrak: The Ancient Art of Block-Printing and the Pride of Sindhi Culture

Sindhi Ajrak is a traditional textile art form that originated in the Sindh province of Pakistan and is also practiced in parts of India. It is a type of block-printing that uses stamps to create intricate patterns and designs on fabric, usually cotton or silk. The colors used are mainly deep indigo, rich crimson, white and black, which symbolize the elements of nature: sky, earth, water and fire. Ajrak is more than just a cloth; it is a cultural icon of Sindhi identity and heritage, and a sign of respect and hospitality. Ajrak is worn by both men and women, as shawls, turbans, dresses, scarves or dupattas. It is also used as a decorative item, such as a tablecloth, a wall hanging or a bedspread.

Sindhi Ajrak

     The word ajrak (اجرڪ) comes from the Persian words ajar or ajor (اجر), meaning brick, and -ak (ک), meaning little. This refers to the small brick-like patterns that are common in ajrak prints. The history of ajrak can be traced back to the ancient Indus Valley Civilization, which flourished in the region around 2500 BCE. A bust of a priest-king excavated at Mohenjo-daro, one of the major cities of the civilization, shows him wearing a garment with a trefoil pattern similar to ajrak. The same pattern has been found on objects from Mesopotamia and Egypt, indicating a possible cultural exchange. Ajrak has been preserved and passed down through generations of Sindhi artisans, who have refined and perfected the craft over time.

     The process of making ajrak is complex and labor-intensive, involving several steps of washing, dyeing, printing and drying. The fabric is first washed with a mixture of soda ash and castor oil to remove any impurities and make it soft and absorbent. Then, it is dyed with natural dyes derived from plants, minerals and insects. The most important dye is indigo, which gives the characteristic blue color to ajrak. Indigo dyeing requires a special fermentation process, in which the indigo leaves are soaked in water and lime for several days, and then the fabric is dipped and oxidized in the solution. The other dye is madder, which gives the red color to ajrak. Madder dyeing involves boiling the fabric with madder roots and alum. The white color is achieved by using a resist paste made of lime and gum arabic, which prevents the dye from penetrating the fabric. The black color is obtained by mixing iron filings and jaggery, which react with the indigo and madder dyes.

     The printing of ajrak is done by hand, using wooden blocks that are carved with intricate designs. The blocks are dipped in the dye or the resist paste, and then stamped on the fabric with precision and skill. The printing is done in multiple layers, with each layer requiring a different block and a different color. The printing process can take up to 15 days, depending on the complexity of the design and the number of colors. The final step is drying the fabric in the sun, which fixes the colors and enhances their brightness.

     Ajrak is a unique and beautiful art form that reflects the rich and diverse culture of Sindh. It is a symbol of pride, dignity and honor for the Sindhi people, who cherish and celebrate it on various occasions. Ajrak is also a source of livelihood and empowerment for many artisans, who continue to practice and promote this ancient craft in the modern world. Ajrak is not just a cloth; it is a way of life.

Sindhi Cultural Day: A Tribute to the Land of the Indus

Sindhi Cultural Day: A Tribute to the Land of the Indus

The History and Significance of Sindhi Cultural Day

Sindhi Cultural Day: A Day to Showcase Sindhi Art and Music

Sindhi Cultural Day: A Festival of Colors and Joy

Sindhi Cultural Day: How Sindhi People Preserve Their Identity and Heritage

Source: Happy Sindhi Cultural Day! 

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